Ebook The Flick (TCG Edition), by Annie Baker
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The Flick (TCG Edition), by Annie Baker
Ebook The Flick (TCG Edition), by Annie Baker
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Review
"The play’s genially comic narrative of the conflicts, fantasies, and isolation of the working poor, a trio of low level employees at a struggling cinema in Western Massaschusetts, is vivid, amusing, and quirky." - Bill Marx, The Arts Fuse"An idiosyncratic original... The Flick slides from funny to wrenching and back again." - Don Aucoin, The Boston GlobeFunny, heartbreaking, sly and unblinking The Flick may be the best argument anyone has yet made for the continued necessity and profound uniqueness of theater.” Jesse Green, New YorkHilarious and ineffably touching Ms. Baker’s peerless aptitude for exploring how people grope their way toward a sense of equanimity, even as they learn to accept disappointment, is among the things that make her such a gifted writer.” Charles Isherwood, New York TimesThis hypnotic, heartbreaking micro-epic about movies and moving on is irreducibly theatrical.” David Cote, TimeOut New York"Annie Baker, one of the freshest and most talented to emerge Off Broadway in the past decade, writes with tenderness and keen insight. Her writing is a great blessing to performers. The Flick draws out nakedly truthful and unadorned acting. This lovingly observed play will sink deep into your consciousness." Charles Isherwood, New York Times"Perfection. Annie Baker is a genuine original, the real thing. She follows last season's Uncle Vanya version with this bold absolutely mesmerizing comic drama." David Finkle, Huffington Post"Ms. Baker is a master miniaturist chasing big themes love and loyalty; kindness and cruelty; fantasy and reality. As in The Aliens and Circle Mirror Transformation, the dialogue is uncannily, you-are-there authentic." Joe Dziemianowicz, NY Daily News
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Product details
Paperback: 192 pages
Publisher: Theatre Communications Group (September 30, 2014)
Language: English
ISBN-10: 1559364580
ISBN-13: 978-1559364584
Product Dimensions:
5.8 x 0.5 x 8.8 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
3.9 out of 5 stars
43 customer reviews
Amazon Best Sellers Rank:
#38,812 in Books (See Top 100 in Books)
3.5 starsThis won the 2014 Pulitzer Prize for Drama. I think All the Way and then Fun Home would have been better choices. I saw this on Broadway last year and then read it today. I probably like it better to read after having seen it. Textually, there isn't much there.The entire play takes place in a the screen room of a one-screen theater in Worcester, Mass. The characters are 20, 24 and 35. All are down on their luck and feeling trapped, for one reason or another. There are a few interesting discussions about retarded people getting married, facebook, and celluloid. There are a couple of funny moments. Mostly though, there is a powerful sense of lethargy that runs throughout the script. In the theater, it floated out into the audience (the reviews from veteran theater goers were very mixed - people often walked out of shows between acts).I like Annie Baker. This is not among her best plays.
Baker won the 2014 Pulitzer Prize for this play, the latest in the series of extraordinarily affecting plays she has written. She’s a talent of the first water.The Flick takes place in a past its prime movie theater, one of only eight left in the state of Massachusetts that still shows movies in celluloid. The play is about the three young to early middle-aged people who work there. It’s scut work –take tickets, serve popcorn and soda, clean up after the show. One of them --Rose, Caucasian, 24, baggy clothes, hair dyed green, who if she isn’t lesbian is doing an excellent job of looking like she is-- runs the projection. Sam, Caucasian and 35, is obviously working class. He’s had no college or his hopes peak with the job: ushering in a third-rate, close to failing cinema. Avery is 20, African-American, on break from college. In other words, he has a future beyond this cinema, which neither Rose nor Sam do. Avery also has issues: they surface in his interactions with Sam and Rose. Avery’s a movie buff: he likes celluloid only, no digital. Digital is dead; celluloid lives. The play unfolds in a succession of encounters, mundane on the surface, among these three workers, as they share their hopes, figure out how they feel about each other. Without pounding it to death, Baker conveys through their semi-articulate, tangential dialogue the frustrations of their jobs and lives. Their lives don’t get better in the duration of this play, they get worse, but somehow you feel hopeful (a bit, not a lot) about them. Maybe it’s just that they are so human.The play is set in a movie theater: the audience is looking at the seats, window of the projection booth, exit doors. Much of the time a movie is playing but the audience doesn’t see it because it’s “playing†behind their heads, which is where the imagined movie screen is. It makes for nice effects: a drama unfolding in front of the spectators while a movie soundtrack, framing music for a different drama, goes on behind them. Sometimes the soundtrack reinforces the emotions on display on stage. Other times, it runs in ironic counterpoint to it.In every respect –dramatic arc, characterization, mood, visual impact—this play is lovely.
A great, short read. If you're young, have ever worked a dead-end job, feel like you're not sure which direction to move in, or just like movies and the theater-going experience; this is a very relatable play. Couldn't recommend it enough. I heard about it through Louis CK when he went on Mac Maron's podcast a few months ago.
Very well-written about an important subject ... especially today, when we all feel 'entitled' to gain at the expense of others for one reason or another
Perfect conditon copy! Not at all damaged during shipping. As far as the script goes, it is an absolutely incredible modern play. I am planning to direct it in the upcoming Spring. Would recommend to anyone.
One of the great contemporary plays.
GIFT. LIKED VERY MUCH.
We saw the play first, and now we have the printed version. What fun to be able to picture in reading what we saw on the stage. It is, however, a play of few words and not a lot of action (unless you consider frequent sweeping of popcorn off the cinema house's floor action). But it portrays real people doing mundane tasks while trying to sort out their lives. It is therefore a true slice of the lives lived by those who work "behind the scenes" in places most of us probably don't think about. And that is one reason I think "The Flick" deserved the Pulitzer Prize it won.
Outstanding read by the best active playwright in America. It's a must read
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